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LINGUISTIC BASES OF MATAPOETHICS OF TENNESSE WILLIAMS’ DRAMATIC TEXT

Abstract

In this article we analyze dramatic level of Tennessee Williams’ metapoethics. As a result we have revealed author’s opinion on creative work, process of writing, importance of a word and symbols in a dramatic work.

About the Authors

Vyacheslav Petrovich Khodus
NCFU
Russian Federation


Ani Gegamovna Bagdasaryan
NCFU
Russian Federation


References

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3. Clum J. M. The sacrificial stud and the fugitive female in Suddenly Last Summer, Orpheus Descending, and Sweet Bird of Youth // The Cambridge Companion to Tennessee Williams / Matthew C. Roudané. Cambridge, 1997.

4. Falocco J. Gardens of Desire: Toward a Unified Vision of Garden District. (2005) http://www.tennesseewilliamsstudies.org (accessed April 28, 2013).

5. Longman Dictionary of Contemporary English. 2009. [LDCE].

6. Macmillan English Dictionary. 2002. [MED].

7. Richardson T. J. The City of Day and the City of Night: New Orleans and the Exotic Unreality of Tennes- see Williams // Tennessee Williams: A Tribute. Mississippi, 1977.

8. Williams T. The Theatre of Tennessee Williams. New York, 1971. Vol. 1.

9. Williams T. Where I live: selected essays. New York, 1978.

10. Williams T. The Art of Theater № 5 // The Paris Review № 81. Fall 1981. http://www.theparisreview.org (accessed October 13, 2012).

11. Williams T. The Rose Tattoo // The Theatre of Tennessee Williams. New York, 1990. Vol. 2.

12. Williams T. Suddenly last summer. Dramatists Play Service Incorporated. 1986.

13. Williams T. Camino Real. New York, 2008.

14. Williams T. Sweet Bird of Youth. London, 2010.


Review

For citations:


Khodus V.P., Bagdasaryan A.G. LINGUISTIC BASES OF MATAPOETHICS OF TENNESSE WILLIAMS’ DRAMATIC TEXT. Newsletter of North-Caucasus Federal University. 2013;(5):170-174. (In Russ.)

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ISSN 2307-907X (Print)